Felix Guattari

Arise then a new referential order in language, involves joining among others Felix Guattari, in their questioning of the aesthetic paradigms, subverting the unity of production of capitalist values, is the principle of otherness and therefore the recovery of ethics as an element of analysis and rediscovery of the importance of the creation, the auto-fundacion and the ethical commitment that entails. (See Guattari, the aesthetic paradigm, interview with Fernando Urribarri, nov. 1991). A second look that can contribute to the elaboration of a new and rejuvenated aesthetic perspective, brings it the cynical ideology that sticks out in the context of the disrepute of the utopias, under the disenchantment of the neo-liberal aesthetic model and proposing a vanishing point to their capacity for reproduction and alienation, opting for the autarkic way, rather than snooze embrutecido of the Empire of consumption. (Source: Pinterest). Authors such as the own Diogenes and especially Peter Sloterdijk, German philosopher of origamiusa trajectory are references to this path. For both currents of opinion, history plays a decisive role, one of the major gaps that is expressed in the anthologies and in general in such works, is the absence of the historical factor, in the creative process. Something of historic independence processes, had in the pen a strong ally, letters of the liberators, the Alliance early between rationalist aesthetics summed up in patriotic colors, music, uniforms, more a webcaster as the La Aurora de Chile resulted in a current criticism of course linked to the Creole elite. In 1860, the popular lyre was an instrument where the poets and singers popular they talked with their gaze – was spreads loose, intended to comment on the facts of some relevance of national life, with the aim of selling them at markets and crowded places..

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